Showing Records: 1 - 3 of 3
Futurismo-Oggi. No.3-4/Mar-Apr / Morpurgo N ; Seuphor M., 1975
Edited by Enzo Benedetto. Includes a brief biographic note on several lesser known Futurists. -- Source of annotation: Marvin or Ruth Sackner.
Futurist Art and Theory 1909-1915 / Martin, Marianne W. ; Marinetti FT ; Boccioni U ; Balla G ; Carra C ; Severini G ; Russolo L ; Soffici A ; Sant'Elia A., 1978
This book mainly deals with the origins of Futurist theory and visual art and the first generation of Futurist artists. Scant attention is directed to Parole in Liberta. -- Source of annotation: Marvin or Ruth Sackner.
Reading Visual Poetry after Futurism: Marinetti, Apollinaire, Schwitters, Cummings / Webster, Michael ; Cendrars B ; Apollinaire G ; Schwitters K ; cummings ee ; Marinetti FT ; Bohn W ; Shattuck R ; Barthes R ; Steiner W ; Stein G ; Zurbrugg N ; Dohl R ; Mayer HJ ; Tashjian D ; Gomringer E ; DeCampos A ; Pignatari D ; DeCampos H ; Carra C ; Hausmann R ; Williams E., 1995
Webster states that the four main poets discussed in this book, that was originally a doctural thesis, were not influenced by Mallarme's Un Coup de Des. In the case of Marinetti, he points out the structural typographic differences and similarities between Un Coup de Des and Parole In Liberta. Webster uses the term, visual poetry, as synonymous with concrete poetry. An appendix depicts several poems descibed in the book. -- Source of annotation: Marvin or Ruth Sackner.